UA DE EN ES FR IT NL PL BY PT Russian theatre pt es fr it nl pl by ua de en
sections
  • Sources of Russian theatre
  • Theatres moskvy
  • Theatres peterburga
  • the Father of Russian theatre
  • I.A.Dmitrievsky
  • parasha the queen-sheremeteva
  • the Ballerina tatjana shlykova
  • At ' the descendant aristippa '
  • Theatres peterburga. Buffooneries

    you are: Theatres peterburga

    In buffoonery of a merchant of Malofeyev plays ' Napoleon Pervyj were given, or Russian in 1812 ', or ' Kozma.Рощин-the Volga robber ', were distributed shots and shouts, from apertures in a roof brought down a smoke.

    In buffooneries many tricks which showed the big ingenuity of their directors were used. In one of scenes the Harlequin was rescued from a pursuit, from running start jumped in a mirror over a fireplace and in an instant flew by over a scene on any fantastic monster. It sufficed for a foot, the foot was extended on all scene and at last came off, and the Harlequin disappeared. On a scene important there was the enormous sizes a cock. From egg which was dropped by a cock, there was an ubiquitous Harlequin. At last the Harlequin managed to be caught, it cut on some parts, have charged these pieces a gun and have shot. The roar, a smoke was distributed, and there was, indifferently, a revived Harlequin...

    Statement of pantomimes was carried out with changes of many scenery. ' Pure change ' one picture on another was carried out very quickly: carpenters rushed to the necessary moment from grid-irons downwards, holding in hands a cord from a veil, and promptly lifted its weight upwards.

    In some cases in buffooneries applied difficult theatrical mashineriju.

    Having at the order oil, and later oil lamps, lighters of buffooneries achieved surprising effects: shine of a lightning, a fire, rising and a sunset or the moon. The management of imperial theatres invited balagannyh mechanics to arrange and at itself the necessary theatrical effects and illumination.

    les paragraphes
  • les Sources du théâtre russe
  • les Théâtres moskvy
  • les Théâtres peterburga
  • le Père du théâtre russe
  • I.A.Dmitrievsky
  • parasha la reine-sheremeteva
  • la Danseuse de ballet tat'jana shlykova
  • Chez ' du descendant aristippa '
  • Capitoli
  • Gli inizi di teatro russo
  • I teatri di moscow
  • I teatri di peterburg
  • Il padre di teatro russo
  • IO. A. Dmitrievskii
  • Parasha regina-sheremeteva
  • Shlykova di tatiana di ballerina
  • A 'aristippa di discendente '
  • Hoofdstukken
  • De begin van Russisch toneel
  • De tonelen van de moskou
  • De tonelen van peterburg
  • De vader van Russisch toneel
  • I. A. Dmitrievskii
  • Parasha koningin-sheremeteva
  • Ballerina tatiana shlykova
  • Op 'afstammeling aristippa'
  • Kapituly
  • Poczatki ruskiego theater
  • Theaters moskwy
  • Theaters peterburg
  • Ojciec ruskiego theater
  • I. A. Dmitrievskii
  • Parasha krolowa-sheremeteva
  • Balerina tatiana shlykova
  • Na 'potomku aristippa'
  • Capitulos
  • Os comecos de teatro russo
  • Os teatros de moscow
  • Os teatros de peterburg
  • O pai de teatro russo
  • EU. Um. Dmitrievskii
  • Parasha rainha-sheremeteva
  • Shlykova de tatiana de bailarina
  • A 'aristippa descendente '
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