UA DE EN ES FR IT NL PL BY PT Russian theatre pt es fr it nl pl by ua de en
sections
  • Sources of Russian theatre
  • Theatres moskvy
  • Theatres peterburga
  • the Father of Russian theatre
  • I.A.Dmitrievsky
  • parasha the queen-sheremeteva
  • the Ballerina tatjana shlykova
  • At ' the descendant aristippa '
  • Theatres moskvy. Chorus and. O.Sokolova

    you are: Theatres moskvy

    Chorus I.O. of the Sokolov executed products of a romantic direction. This art has come in the stead of classicism, it expressed aspiration of the person to infinite freedom, pathos of independence, represented strong passions, protest heroics, attention to private world of the person. In songs ' Sokolovsky of chorus ' self-value of human feeling sounded, execution differed emotional intensity.

    The Head of chorus And. O.Sokolov had a good voice, perfectly danced. To it with delight listened F.List, A.Pushkin, D.Davidov, Herzen, Ostrovsky, L.Tolstoy, Fet, Turgenev, etc. Ampere-second. Pushkin has recollected ' gipsy Ilju ' and ' daring pljasovuju ' in one of the quatrains devoted to it. Contemporaries asserted, that execution of songs by gipsy Tanej which caused Pushkin's delights, JAzykova used especial success. Known singer Katalani named it ' incomparable '. Lermontov loved in execution of gipsies of a song: whether ' Ah you hear, the lovely friend, whether remember ' and ' Ah, the villain, the villain '.

    After death And. O.Sokolova the head of chorus became talented actor Ivan Vasilev. Under his supervision the chorus became in the middle of XIX century the original standard of high professional art. At that time in chorus daughter Ivan Vasileva - Masha, delighting Herzen, Ostrovsky, Fet's as execution, Turgeneva acted, And. P.Grigoriev, L.Tolstoy and other art workers. Lev Tolstoi wrote: ' There was time when in Russia any music did not love more Gipsy '. Tolstoy considered Gipsy music original and national. The author ' Wars and peaces ', ' Annas Kareninoj ' has left the fine description of performance of gipsies.

    les paragraphes
  • les Sources du théâtre russe
  • les Théâtres moskvy
  • les Théâtres peterburga
  • le Père du théâtre russe
  • I.A.Dmitrievsky
  • parasha la reine-sheremeteva
  • la Danseuse de ballet tat'jana shlykova
  • Chez ' du descendant aristippa '
  • Capitoli
  • Gli inizi di teatro russo
  • I teatri di moscow
  • I teatri di peterburg
  • Il padre di teatro russo
  • IO. A. Dmitrievskii
  • Parasha regina-sheremeteva
  • Shlykova di tatiana di ballerina
  • A 'aristippa di discendente '
  • Hoofdstukken
  • De begin van Russisch toneel
  • De tonelen van de moskou
  • De tonelen van peterburg
  • De vader van Russisch toneel
  • I. A. Dmitrievskii
  • Parasha koningin-sheremeteva
  • Ballerina tatiana shlykova
  • Op 'afstammeling aristippa'
  • Kapituly
  • Poczatki ruskiego theater
  • Theaters moskwy
  • Theaters peterburg
  • Ojciec ruskiego theater
  • I. A. Dmitrievskii
  • Parasha krolowa-sheremeteva
  • Balerina tatiana shlykova
  • Na 'potomku aristippa'
  • Capitulos
  • Os comecos de teatro russo
  • Os teatros de moscow
  • Os teatros de peterburg
  • O pai de teatro russo
  • EU. Um. Dmitrievskii
  • Parasha rainha-sheremeteva
  • Shlykova de tatiana de bailarina
  • A 'aristippa descendente '
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