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Actors jusupovskogo theatre were typed from children of close servants of the prince and well provided top of the domestic. Among them was considered honourable to give the daughter or the son to training to music or dances. Dancers Sofia and Arina Podluzhnye were daughters of bartender Andrey Podluzhnogo, Avdotya and Elizabeth Kurochkiny - daughters of bookkeeper Peter Kurochkin, Sofia Malinkina-docherju of salesman Malinkina in village Spassky, Love Ivchenkova - the daughter of musician Simeon Ivchenkova, the Blast furnace of the Sokolov - the daughter of musician Dmitry Sokolova, Elena Babin - the daughter smotritelnitsy for girls Agrafeny Babinoj. The brother of actresses Rabutovsky the Lion was the architect, brothers Matreny SHCHedrinoj Ilja and Paul - clerks.

Beginning actresses and actors arrived in theatre more often the illiterate. And what reading and writing could be expected from the seven-year boy or the girl from serfs? In jusupovskom their theatre trained in reading and the letter, music and dances... In 1820 when in Moscow the Italian opera went on tour, girls from theatre have started to train in the Italian language. To the teacher the big money paid: on July, 13th, 1820 in the expenses book it is written down: ' it is given out the Italian teacher of Fasoliju since June, 15th on 12 date of July for 12 visits of 100 roubles; to it for the bought Italian 9 books - 46 rivers, total 146 roubles '.

Trained actors and to the French language. Teachers-Frenchmen were for this purpose invited, textbooks were got. Actors used book-store books. In one of credit and debit sheets record has remained: ' on July, 13th, 1826: 30 rbl. ' Are paid in a book-store of mister Glazunov for reading of books from this number henceforth for one year.

In Dances jusupovskih actors were trained by ballet master Solomoni. Simultaneously it taught dances and to students of the Moscow university.

In theatre Jusupov has invited as the ballet master well-known Gjullen-rubbish. Contemporaries have left enthusiastic responses about its art. Felitsata Verzhinija Gjullen-rubbish (1805 after 1850) the-French ballet dancer, in 1823 has been invited by F.F.Kokoshkinym in the Bolshoi theatre. Gjullen there was a strong, talented dancer. It played more often the liriko-comedy roles demanding expressive pantomimical game. In Moscow it have well accepted, though here were both the good dancers and dancers: ' the Madam Gjullen-rubbish, - wrote in magazine ' the Bulletin of Europe ' (1823, October, № 18), - will safely bear comparison with our schoolgirls Terpsihory who, however, and will not be frightened of comparison in some points though, however, they will not consider excessive something and to adopt at the Parisian guest... ' Writer S.T.Aksakov - the thin and deep judge of theatre - has been obedient dances Gjullen. ' It has admired us, - Aksakov, - we in anybody not vidyvali such happy connection of force and a gratefulness, cleanliness and expressiveness wrote. Its all movements are executed lives '.