you are: I.A.Dmitrievsky

Dmitrevsky always subordinated the game of the main thought, idea of performance. He wrote: ' Art demands, that each phenomenon contained in itself especial dejstvonanie, corresponding to a tragedy integrity that each person, and osoblivo the main thing, entered and left on theatre with the clear not doubtful reasons for the spectator '. Art should not ' notify spectators that forward will be '. It highly appreciated scenic ensemble: ' the consent in play playing ' to which such great value was given later by M.S.Schepkin.

Dmitrevsky considered, that the theatre should be ' school of virtue and a defect fright '. At all it Dmitrevsky recognised the right of the actor to creative search. Already in the early performances on a scene he aspired to influence the spectator emotionally, and not just by the reference to its mind.

In 1784 Dmitrevsky have appointed the inspector of Russian actors and same year have obliged ' to train pupils being at theatrical school and schoolgirls of the recitation and dejstvovaniju '.

Prince N. B.Jusupov appointed in 1791 the theatre director, has accepted Dmitrevsky-'izvestnogo knowledge and long-term experience in theatrical business ' on a post of the main director. Dmitrevsky still should train actors. JUsupov has ordered: ' to actors and pupils to concern the mister Dmitrevsky in all cases which for the blessing of the Russian shows concern ', ' to trust, if it becomes my name, to declare, in regular intervals, if in case of need, he will demand to see some office papers, books or an abacus onyja without an obstacle to show '.