you are: parasha the queen-sheremeteva

There is no necessity to stop on all repertoire Kovalevoj. It has executed title roles in comic operas Gretri - ' Ljusil ', Paiziello - ' Nina, or the Madwoman from love ' and ' Infanta Zamory '. In Russo's opera ' the Sorcerer ' - a role! Altsvedy, opera Dezeda ' Three otkupshchika ' - a role of daughter Jacob! To opera Monsini ' the Rose and Kolas ' - the Rose role, etc. Its success was invariable.

In ' Ljusil ' Kovaleva has given new interpretation to an image of the heroine in this play also mismatch problems were solved. At the French theatre the father of the groom - a nobleman, having learnt, that Ljusil - the peasant, has agreed to marriage of the son provided that; the origin of the bride will be kept as fiduciary. It was the performance centre. In Russian statement the scene of that casual opening, that it not the noblewoman, and the peasant that is why cannot was main with tremendous force played Kovalevoj; to become the wife of the beloved. The happy ending of an opera was represented as something conditional, not following of play development, atypical for the accepted norms of morals.