| you are: I.A.Dmitrievsky
In the Petersburg school pupils Dmitrevsky were A.D.Karatygin, And. V.Karatygin, E.S.Semenova, I.I.Sosnitsky, S.N.Sandunov (Zandukeli), P.A.Plavilshchikov, J.E.Shusherin. The well-known actor of Ampere-second was the pupil Dmitrevsky. JAkovlev - one of nachinatelej a romantic direction in theatrics, predecessor P.S.Mochalov. After training at Dmitrevsky JAkovlev zaznalsja, has ceased to improve the art, has badly played the a little independently prepared roles, including Othello's role. Having met the former pupil, Dmitrevsky has started to utter to it for disrespect for art, that he has forgotten the former teacher: ' That you, for example, have made of an excellent scene when call Othello in the senate under complaint Brabantsio? Where this noble, respectful soldier, this modest winner, so sincerely, so ingenuously speaking about that: what has it liked Dezdemone? Whom do you play? The brawler, the madcap who waved fists, that and look, that somebody from senators ' will suffice in a teeth. Dmitrevsky has read Othello's monologue ' with sovershennoju simplicity, true and nobleness '. He has suggested JAkovlevu to pass with it a role. That stood confused, having hung a head. ' Yes, - he has told, - I have heard true '.
Dmitrevsky and JAkovlev adhered to different systems, representing on a passion scene, JAkovlev them worried unlike Dmitrevsky which reproduced these passions, being based on it is thin to the developed technics of game.
In the letter to a member of theatrical management to A.A.Maykov in 1802 g Dmitrevsky wrote, that it ' three times supported upadajushchy the Russian theatre with new people whom anywhere did not write out, but itself here has found, has learnt and before public with success has presented ', that ' was not, and there is no actor or the actress; which would not use, more or less, mine uchenem manuals, that appeared, during my board, at theatre any play in which I council or the amendment did not participate '.
|