UA DE EN ES FR IT NL PL BY PT Russian theatre pt es fr it nl pl by ua de en
sections
  • Sources of Russian theatre
  • Theatres moskvy
  • Theatres peterburga
  • the Father of Russian theatre
  • I.A.Dmitrievsky
  • parasha the queen-sheremeteva
  • the Ballerina tatjana shlykova
  • At ' the descendant aristippa '
  • I.A.Dmitrievsky. Pupils dmitrevskogo

    you are: I.A.Dmitrievsky

    In the Petersburg school pupils Dmitrevsky were A.D.Karatygin, And. V.Karatygin, E.S.Semenova, I.I.Sosnitsky, S.N.Sandunov (Zandukeli), P.A.Plavilshchikov, J.E.Shusherin. The well-known actor of Ampere-second was the pupil Dmitrevsky. JAkovlev - one of nachinatelej a romantic direction in theatrics, predecessor P.S.Mochalov. After training at Dmitrevsky JAkovlev zaznalsja, has ceased to improve the art, has badly played the a little independently prepared roles, including Othello's role. Having met the former pupil, Dmitrevsky has started to utter to it for disrespect for art, that he has forgotten the former teacher: ' That you, for example, have made of an excellent scene when call Othello in the senate under complaint Brabantsio? Where this noble, respectful soldier, this modest winner, so sincerely, so ingenuously speaking about that: what has it liked Dezdemone? Whom do you play? The brawler, the madcap who waved fists, that and look, that somebody from senators ' will suffice in a teeth. Dmitrevsky has read Othello's monologue ' with sovershennoju simplicity, true and nobleness '. He has suggested JAkovlevu to pass with it a role. That stood confused, having hung a head. ' Yes, - he has told, - I have heard true '.

    Dmitrevsky and JAkovlev adhered to different systems, representing on a passion scene, JAkovlev them worried unlike Dmitrevsky which reproduced these passions, being based on it is thin to the developed technics of game.

    In the letter to a member of theatrical management to A.A.Maykov in 1802 g Dmitrevsky wrote, that it ' three times supported upadajushchy the Russian theatre with new people whom anywhere did not write out, but itself here has found, has learnt and before public with success has presented ', that ' was not, and there is no actor or the actress; which would not use, more or less, mine uchenem manuals, that appeared, during my board, at theatre any play in which I council or the amendment did not participate '.

    les paragraphes
  • les Sources du théâtre russe
  • les Théâtres moskvy
  • les Théâtres peterburga
  • le Père du théâtre russe
  • I.A.Dmitrievsky
  • parasha la reine-sheremeteva
  • la Danseuse de ballet tat'jana shlykova
  • Chez ' du descendant aristippa '
  • Capitoli
  • Gli inizi di teatro russo
  • I teatri di moscow
  • I teatri di peterburg
  • Il padre di teatro russo
  • IO. A. Dmitrievskii
  • Parasha regina-sheremeteva
  • Shlykova di tatiana di ballerina
  • A 'aristippa di discendente '
  • Hoofdstukken
  • De begin van Russisch toneel
  • De tonelen van de moskou
  • De tonelen van peterburg
  • De vader van Russisch toneel
  • I. A. Dmitrievskii
  • Parasha koningin-sheremeteva
  • Ballerina tatiana shlykova
  • Op 'afstammeling aristippa'
  • Kapituly
  • Poczatki ruskiego theater
  • Theaters moskwy
  • Theaters peterburg
  • Ojciec ruskiego theater
  • I. A. Dmitrievskii
  • Parasha krolowa-sheremeteva
  • Balerina tatiana shlykova
  • Na 'potomku aristippa'
  • Capitulos
  • Os comecos de teatro russo
  • Os teatros de moscow
  • Os teatros de peterburg
  • O pai de teatro russo
  • EU. Um. Dmitrievskii
  • Parasha rainha-sheremeteva
  • Shlykova de tatiana de bailarina
  • A 'aristippa descendente '
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